Other February True Power Rankings: ABC | CBS | NBC | Fox | CW
| ABC Comedies | True | A18-49 | Skew | y2y | Counted Eps | ||
| The Elite | |||||||
| 1 | Modern Family | 3.63 | 3.40 | 45% | -21% | 4 | |
| 2 | The Middle | 2.12 | 2.08 | 34% | -11% | 4 | |
So far, there's no real sign of any syndication heat for the comedies' first-run ratings. But if the last pre-Olympics points were any indication, we may see it in a more subtle form: holding up better in the second half of the season against an ever-weakening American Idol. The February 5 eps of both Middle and Modern were only barely down year-to-year (-4% and -5% respectively).
| ABC Comedies | True | A18-49 | Skew | y2y | Counted Eps | ||
| The Actual Middle | |||||||
| 3 | Last Man Standing | 1.62 | 1.40 | 27% | -9% | 5 | |
| 4 | The Goldbergs | 1.57 | 1.60 | 42% | 5 | ||
| 5 | Suburgatory | 1.50 | 1.50 | 38% | -38% | 1 | |
Don't really see much of a way The Goldbergs or Last Man Standing gets cancelled. Right now The Goldbergs warrants renewal on the surface, but even if it gets a little weaker in the spring I think there'd be "face-saving" motivations that would keep it around. In Last Man Standing's case, I would point out the fact that the ABC regime really seems to dislike multi-cams, but Last Man has been enough of a ratings win this season - taking a league average drop or less with a terrible 8:30 partner - that ABC's got to stick with it.
Suburgatory is the only comedy in any reasonable doubt. So far this season, it's just been kind of there. It's done probably a tick or so better than Back in the Game would have against Idol, but we're clearly well past the heat it had in its early days. With no strong ratings case either way, this feels like it will come almost completely down to how many comedy hours ABC has next fall. If they have enough newbies to trot out four again, then having just four returnees is spreading oneself too thin. I'd without a doubt want Suburgatory in that midseason backup role again. However, if they go down to just three hours... two-thirds of the slots would be pretty much locked up. I'd rather spend the money on those last two half hours to cycle through options with actual upside. I'm probably completely wrong, but the way I see it... Suburgatory is in the somewhat odd position of rooting for ABC to have good comedy development.
| ABC Comedies | True | A18-49 | Skew | y2y | Counted Eps | ||
| Paul Lee's Picks | |||||||
| 6 | Back in the Game | 1.34 | 1.58 | 35% | 4 | ||
| 7 | Super Fun Night | 1.29 | 1.54 | 44% | 5 | ||
| 8 | The Neighbors | 1.10 | 0.92 | 29% | -51% | 5 | |
| 9 | Trophy Wife | 1.09 | 1.08 | 40% | 5 | ||
This is several months removed from being relevant, but I want to throw out this little methodological point anyway: if you really believe lead-in dynamics have no impact on how these decisions get made, then Super Fun Night should be very much in the mix. (Certainly as late as its 1.7 on January 22.) It could very well end up with a higher ratings average than its network as a whole for the season. You might end up getting away with it because you can throw out your whole process whenever there's a scheduling tea leaf to be read (like SFN's short extension), but just keep this in mind for before those leaves come out. There was no way SFN had a meaningful lead on Last Man and The Goldbergs the week before the announcement. It was definitely no more than a toss-up by week three.
The biggest notable out of those November announcements was the back nine for Trophy Wife (and nothing for Back in the Game). This was always a ratings reach. I would say that they probably put way too much stock in the 1.4 it pulled on 10/29 on a repeat SHIELD night, but it's probably more like it just gave them justification for what they really wanted to do based on the positive buzz around TW. Since they did it once, might they make the same kind of reach for a second season? I wasn't as quick to dismiss the possibility as some back in November. But now, it'd be an even bigger reach. Not only has the show become an even weaker original performer by a few ticks, but all indications are that it's not just a bad timeslot. It managed just a 0.9 in its Wednesday repeat tryout, while The Goldbergs got 1.2 in each of its shots there. (TW's episode was on Christmas night, to be fair, but the NBA leading into the lineup meant it got the same size lead-in from The Middle as The Goldbergs did.) There's clearly a large gap in strength here.
Something to keep an eye on: I assumed that Suburgatory's premiere date would enable its episode count to completely sync up with what The Middle had (13 Suburgatory + episodes 11-23 of The Middle). But the network has already run one original Suburgs after a repeat Middle. Maybe Middle has 24 eps this year and this will be the only case of that, but there's also the possibility ABC could be setting up Suburgatory to end a little early. So it's still not impossible they could try one of the Tuesday shows here at the end of the season.
| ABC Dramas | True | A18-49 | Skew | y2y | Counted Eps | ||
| The Power Block | |||||||
| 1 | Scandal | 3.21 | 3.00 | 43% | +40% | 4 | |
| 2 | Grey's Anatomy | 2.75 | 2.55 | 40% | -17% | 4 | |
For all the "ABC is the new NBC" talk during the fall and all the developmental disasters, the funny thing is that for most of the fall, ABC's original average A18-49+ was the same (or even a tick higher) than in fall 2012. It wasn't the sexiest kind of story in a world where we always hone in on new shows, but the growth/hold of stuff like Scandal, Shark Tank, Dancing and Castle deserved a lot of the credit for keeping the network's superficial numbers somewhat competitive.
That has changed in the winter with Scandal and Grey's (and Once Upon a Time) off the air completely. Now ABC's a tick behind its early 2013 pace (91 vs. 92) and falling. You're missed, guys! Still, once the network is back at full strength, the story will probably end up being that ABC is not much unhealthier than last year, in spite of a developmental disaster.
| ABC Dramas | True | A18-49 | Skew | y2y | Counted Eps | ||
| The Safe Second Tier | |||||||
| 3 | Agents of SHIELD | 2.23 | 2.28 | 44% | 4 | ||
| 4 | Castle | 2.03 | 1.92 | 25% | +3% | 5 | |
| 5 | Once Upon a Time | 1.95 | 1.95 | 39% | -32% | 4 | |
Moving past the "huge disappointment" narrative that was so inevitable with SHIELD, the show is going to be here next season. Anything else would require it to move down another several pegs, and that seems unlikely since it's been at about this same level for the last seven episodes or so. The real question with SHIELD is whether ABC will try to "build around it" with a compatible drama next season, or if The Goldbergs was enough of a win to keep a Tuesday hour in the comedy realm. This may end up being just as important to the three-hour/four-hour comedy conundrum as the state of the comedy development.
| ABC Dramas | True | A18-49 | Skew | y2y | Counted Eps | ||
| The Serially Marginal Serials | |||||||
| 6 | Revenge | 1.69 | 1.56 | 33% | -33% | 5 | |
| 7 | Nashville | 1.54 | 1.44 | 36% | -21% | 4 | |
I'm not a believer in syndication assuring renewal for serialized shows, but the colossal failure of everything in the next division means Revenge probably isn't even going to need that kind of help. The show carried itself rather nicely through its January run, not even dropping to a new season low despite airing against big events (Golden Globes/NFC Championship) and with terrible lead-ins. I believe it solidified itself as at least a slightly stronger ratings player over Nashville with these episodes. So at this point, it's going to need some crazy stuff to happen to get back in trouble: namely, it'll have to collapse big-time in its move to 10/9c, and Resurrection will have to do noticeably better than Revenge's fall numbers. Since the two shows will be somewhat co-dependent, both of those things happening seems unlikely.
Nashville is the second (and final!) ABC scripted show with any kind of renewal doubt at this juncture. Forget about syndication getting it to 88. Nobody's airing this thing five nights a week. It has a Hulu Plus deal, and some country music cable network will probably take a stab at it (at a low price) in cable syndication. Those things can happen with or without a certain number of episodes. If Suburgatory could air two full seasons and then get renewed for a short third, surely it can happen with Nashville. And this kind of show may benefit from a shorter season creatively.
The real issue that could save Nashville is just how many bombs ABC is lobbing out of its drama department. If ABC is regularly going to be in this 2013-14 kind of situation, with one respectable new drama and another five to seven that can't even really justify staying on the air for a month, then Nashville is a way better option than the seventh mega-bomb. The other networks have been able to generate shows that may not get renewed but are at least respectable enough to play out the string (shows like Dads). But ABC is bombing much harder and at an alarmingly high rate these days. Body of Proof, it turns out, would've been beneficial this year, in spite of what I thought about its raw "merit" last year. I'm generally not a fan of running a network in such a scared fashion, and that's why I was against renewing Body of Proof last year. But at the current success rate or lack thereof, maybe they should be more prudent and have this as a backup option. (Also, for what it's worth, I think Nashville has at least as much "merit" as Proof last year, maybe even a bit more.)
| ABC Dramas | True | A18-49 | Skew | y2y | Counted Eps | ||
| Paul Lee's Picks | |||||||
| 8 | Once Upon a Time in Wonderland | 0.94 | 0.87 | 33% | 3 | ||
| 9 | Betrayal | 0.85 | 0.74 | 33% | 5 | ||
| 10 | Killer Women | 0.85 | 0.70 | 26% | 1 | ||
| 11 | The Assets | 0.80 | 0.60 | 25% | 1 | ||
| 12 | Lucky 7 | 0.72 | 0.70 | 36% | 1 | ||
I got nothin'.
| ABC Unscripted | True | A18-49 | Skew | y2y | Counted Eps | |
| 1 | Shark Tank | 2.43 | 2.08 | 35% | +5% | 5 |
| 2 | The Bachelor | 2.21 | 2.40 | 38% | +0% | 2 |
| 3 | Dancing with the Stars Fall | 2.00 | 1.95 | 20% | -7% | 4 |
| 4 | 20/20 | 1.76 | 1.54 | 30% | -1% | 7 |
| 5 | The Great Christmas Light Fight | 1.35 | 1.30 | 32% | 1 | |
| 6 | America's Funniest Home Videos | 1.33 | 1.40 | 27% | -10% | 5 |
| 7 | The Taste | 1.14 | 1.10 | 35% | -34% | 2 |
Shark Tank now seems almost a lock to become the new biggest Friday show in 11 years of A18-49+. The more dramatic race will be whether it can actually pull off the amazing feat of finishing at or above the league average (or a 100 A18-49+). Even that may not be that dramatic by the end of the season; it's at a 99 if the season ended today, and its recent episodes have regularly exceeded the league average for that week. It'd probably have to immediately drop into the 1.7-1.8 range to fall back behind that pace.
What was ABC expecting out of its winter Thursday lineup of The Taste and The Assets? I'm not sure why, but it's clear they were expecting something more than what they got out of The Assets, as it left the sked after just two episodes. Has stronger The Taste done enough to return in this kind of role next year? I felt before the season that it probably needed to average low 1's. The 1.3's in its first couple weeks seemed OK, but it's been at more like a 1.0 since American Idol came back. I don't know that they could reasonably do much better than this with some other cheap filler. If I had to guess right now, I'd say they'll try something else next season, but it's close.
