Even in a summer of relatively weak originals, just nine repeats made the list, the top three of which were from one show. Only Big Bang and sometimes Fox's animation remain capable of getting north of a 1.3 or so in the summer, which is why we will probably continue to see the volume of summer originals increase.
Rank | Name | True2 | A18-49 | ARank |
1 | Stanley Cup Finals | 3.86 | 3.3 | 1 |
2 | Under the Dome | 3.72 | 3.3 | 1 |
3 | America's Got Talent Tue | 2.96 | 2.6 | 3 |
4 | MasterChef | 2.84 | 2.5 | 4 |
5 | The Big Bang Theory (SR-Thu) | 2.79 | 2.1 | 7 |
6 | MasterChef | 2.78 | 2.2 | 5 |
7 | Big Brother Wed | 2.78 | 2.2 | 5 |
8 | Hell's Kitchen | 2.66 | 2.1 | 7 |
9 | The Bachelorette | 2.25 | 2.0 | 9 |
10 | The Big Bang Theory (SR-Mon-9:00) | 2.19 | 1.9 | 11 |
11 | So You Think You Can Dance | 2.12 | 1.7 | 13 |
12 | The Big Bang Theory (SR-Mon-9:30) | 2.10 | 2.0 | 9 |
13 | Big Brother Sun | 2.08 | 1.9 | 11 |
14 | Dateline Fri (S) | 1.81 | 1.3 | 15 |
15 | Ann Curry Reports | 1.79 | 1.3 | 15 |
16 | 2 Broke Girls (SR) | 1.68 | 1.3 | 15 |
17 | Family Guy (SR) | 1.63 | 1.5 | 14 |
18 | Primetime: What Would You Do? | 1.63 | 1.1 | 25 |
19 | Rookie Blue | 1.62 | 1.2 | 21 |
20 | Criminal Minds (SR) | 1.62 | 1.3 | 15 |
21 | 20/20 (S) | 1.61 | 1.1 | 25 |
22 | Modern Family (SR) | 1.56 | 1.1 | 25 |
23 | Extreme Weight Loss | 1.51 | 1.2 | 21 |
24 | Two and a Half Men (SR) | 1.49 | 1.3 | 15 |
25 | Off Their Rockers (SR) | 1.45 | 1.1 | 25 |
Missing the True Top 25 but in the A18-49 list: Many repeats, but I will just point out the two originals: The American Baking Competition (t-#21 in A18-49, #34 in True2) and Mistresses (t-#25 in A18-49, #37 in True2).
For more on the True Top 25, click to expand.
I created the True Strength
number so I could have an
objective way of comparing shows across vastly
different situations. One of the most fun
comparisons to be made is among the biggest
shows on TV. What's really the strongest show in a vacuum? Hence my new weekly feature the True Top 25.
This will compare shows while accounting for
everything so we can see who Truly comes
out on top. I include both the A18-49 and the
weekly ranking in A18-49 so you can see the
changes within the rankings that True Strength
makes.
The A18-49 rankings aren't based on Nielsen's "official" broadcast top 25. They're derived from my own spreadsheet just using the big-five networks, so none of the big players on Univision are included. I've also weeded out some weird programming like NFL overruns and sports pre-game shows. Most of that stuff airs largely out of primetime or is strangely split apart, so I don't want to muddle the list with that.
As mentioned on the sports SpotVault pages, True Strengths for sporting events are based on the primetime portion only. Perhaps in future editions I'll try to get the primetime portion only A18-49 into the A18-49 rankings so it'll be a totally fair comparison.
The A18-49 rankings aren't based on Nielsen's "official" broadcast top 25. They're derived from my own spreadsheet just using the big-five networks, so none of the big players on Univision are included. I've also weeded out some weird programming like NFL overruns and sports pre-game shows. Most of that stuff airs largely out of primetime or is strangely split apart, so I don't want to muddle the list with that.
As mentioned on the sports SpotVault pages, True Strengths for sporting events are based on the primetime portion only. Perhaps in future editions I'll try to get the primetime portion only A18-49 into the A18-49 rankings so it'll be a totally fair comparison.
2 comments:
I have some hope that Under the Dome is what networks really need to get more aggressive about summer. We shall see.
It'll depend on how it holds as the season goes on, but it certainly shows that you can make a splash with scripted originals in the summer. Unforgettable's summer numbers will be interesting, too. CBS certainly have the most room to go scripted in the summer, given their cavernous gap between their regular season scripted lineup (a very comfortable #1) and their summer unscripted lineup (which by comparison does horribly).
I could see summer being a place where networks take a few speculative punts on something off-brand or with niche appeal. In particular, sci-fi/genre shows might work well in summer, given that I could imagine their audience being less likely to go out on summer nights...
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